Art
Samira Arab; Seyed Abdolmajid Sharifzadeh
Abstract
The present article criticizes the "descriptive glossary of inlay" by Nasrin Tabatabai with a critical descriptive approach. The book was written in 2003. In this regard, the formal and structural aspects of the book in terms of observing the principles of scientific writing as well as content in terms ...
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The present article criticizes the "descriptive glossary of inlay" by Nasrin Tabatabai with a critical descriptive approach. The book was written in 2003. In this regard, the formal and structural aspects of the book in terms of observing the principles of scientific writing as well as content in terms of the importance of the content and what it is have been studied. In a situation where library studies on inlay are few and with ambiguities, the writing of sources, although with shortcomings, have spiritual values for inlaying. In this book, the author has been able to collect and describe the specialized vocabulary of inlay for the first time, which is valuable and admirable; but at the same time, there are shortcomings in the presentation method, , insufficient and incomplete descriptions in the definitions of specialized words and terms, and the lack of some necessary words. Formally, in terms of writing style, citation system, non-Iranianization of some words, etc. can be seen in the book. Also, in terms of content, there are problems such as the lack of a precise demarcation between the definitions of some entries, the presentation of some short and incomplete definitions, the lack of some necessary words, the lack of proper references and the lack of a list. This research, in addition to explaining the deficiency, has also tried to redefine the words.
Art
Samira Arab; Seyed Abdolmajid Sharifzadeh
Abstract
Inlay is one of the traditional arts related to wood with a variety of designs, which is not very popular today. The construction of Inlay, especially the Gereh Inlay, has been important since the Safavid period, and this method has been used in the construction of Inlay until the contemporary period. ...
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Inlay is one of the traditional arts related to wood with a variety of designs, which is not very popular today. The construction of Inlay, especially the Gereh Inlay, has been important since the Safavid period, and this method has been used in the construction of Inlay until the contemporary period. It is important to pay close attention to the research and critique its published sources in the field of research Which will bring about achievements such as introduction, presentation, and pathology. The deficiency of specialized information among the few published articles is Tangible and visible. The article on “The Study of Making Method and Golbandi Gereh Panj Inlay” has been published in the Scientific Research Quartely Negareh Journal by Maryam Akbarzadeh and Mohammad Sadegh Mirza Abolghasemi in Autumn1397, No.47and pages 82-95 with the intention of examining Gereh Panj Inlay. The necessity to critique and evaluate this article indicates the importance of Gereh Inlay and emphasizes the publication of specialized and accurate information about Gereh Inlay. Gereh Inlay, with a rich background, is less important today for a number of reasons, including the difficulty of preparing the raw materials for the manufacturing process. Therefore, addressing the end of the Gereh and documenting it have been among the importance of research topics. This study tries to criticize this article, which has been done in content and scientific form, it also tries to explain the shortcomings, though few, in the specialized stages of making Gereh Panj Inlay.
